This exhibition comes out of a long process, even if it was a short

one, with a sense of conclusion, even as it announces a new cycle;

it was felt, thought, selected and projected at the end of the previous

year, to which it should be positioned as something to inaugurate for

the following:

Perspective of the tangle

Of sweat and of confetti

Of the serum and the serpentine

Lucidly irrational

Consciously pulsating

The Costume

Of a social body with the curves of tomorrow and

The scent of now

Under the paralytic assault of foul extremisms

That we ward off with our hips

(it’s not the disease that is a process towards healing; disease is a

pause in the process of healing from being alive)

Soil of all

A revolving of the soil of vitalities

Where there are no borders

But many coastlines

Moscows and Lagoses

Even if latent or sickish

At rest or metabolite

Perspective of joy from and for life

Perspective of the Abre Alas line

Curve of drunken homeostasis of love that, hopefully,

will never satiate

A collective breath, lively, mighty, throbbing

Volcano lava (grandmas had no gender, neither did the trees,

nor did Teatro Oficina)

Breathing-resistance of the earth

Perspective of a social body that

Pulsates

Clamours

Calls out

Demands

Political health, its temperatures, its legislatures and its mercuries

Daniela Castro e Agrade Camiz